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  Daredevil: Rebirth is based on Frank Miller's dark, violent comic book series. Here's why MCU fans should be excited! Daredevil: Rebirth is one of the most talked about Marvel franchises on Disney+. Everyone was happy to see Charlie Cox as Daredevil again. There's a lot to love about the Netflix show, and now it's getting fans excited to see a new Daredevil adventure fold into a larger universe. There's still a lot we don't know about the show, and maybe Disney will make more announcements at D23, but there's still plenty of reason to look forward to this new series. Daredevil: Rebirth promises to be one of the darker, more character-heavy stories Marvel will release. If the comics can hint at anything, you won't want to miss it. he Daredevil: Born once more magazine event was originally written by Frank Miller. The legendary author wrote such comics as Sin City, 300, and also the Dark Knight Returns. If you don’t grasp this writer’s name, then you oug

Miles Morales isn't the sole web-slinger in town. Here' why fans can't wait to examine Oscar Isaac' Spider-Man 2099. The multiverse is on paper infinite, that means there are endless versions of the web-slinging superhero Spider-Man. In 2018' Spider-Man: Into the Spider-Verse, audiences ought to see one or two of those variants, including, however not restricted to Jake Johnson as Peter B. Parker, associate older Spider-Man who has adult weary of the superhero business, Hailee Steinfeld as Spider-Woman, or Gwen Stacy, Kimiko John Glenn as Peni Parker, an anime-styled variant who is telepathically joined with a spider and pilots an enormous spider mech suit, Nicolas Cage as Spider-Man Noir, a black and white PI Spider-Man from the 1930s, and John Mulaney as Spider-Ham, or Peter Porker, a cartoon pig who was once a spider before being bitten by a hot swine. However, if the projected range of characters set to seem in Spider-Man: Across the Spider-Verse is to be believ

  Steve James takes a break from his duties as Chicago’s documentary poet laureate with the new unscripted feature A Compassionate Spy, a topical and stylistic detour that still has a place within the director’s ongoing exploration of the blurry line between justice and injustice. A Compassionate Spy borrows the look and feel of a historical espionage thriller and builds some momentum and moral complexity along the way, but it finds its real potency as a generational family drama. Ted Hall was recruited to join the Manhattan Project when he was still a teenager. A brilliant young physicist, Ted went to Los Alamos with no clue what he would be working on, but when he learned the nature of the weapon being designed, he began to worry that if only the United States possessed nuclear technology, the post-war risks might be great. It was only 1944, but Ted Hall was already imagining the potential for a nuclear holocaust after Germany’s inevitable surrender, so he began to pass information —

  The Netflix thriller in Venice competition chronicles the conflict that rips apart three brothers when video circulates of their youngest sibling apparently being killed by cops. With his incendiary 2019 debut feature, Les Misérables, director Ladj Ly brought the urban unrest, the police brutality and the festering social and racial inequality of the Paris banlieue drama La Haine hurtling into the 21st century, its belly aflame with righteous anger and indignation. Ly serves as a writer and producer on Romain Gavras’ Athena, which is both a companion piece to those films and a thundering amplification of their themes. Where the earlier works built to stunning crescendos of violence, Athena is a live grenade, beginning in full ignition mode and dialing up its intensity throughout with virtuoso technique. That latter factor will surprise no one familiar with the output of Gavras, son of renowned Greek director Costa-Gavras, who made a mark with his dynamic music videos for artists incl

  When Mr. Morale & the Big Steppers, Kendrick Lamar’s fifth studio album, was released on May 13, one of the album’s standout tracks quickly became “We Cry Together,” as much for its raw subject matter as its slightly irregular format. (The song sounds more like a radio play or rap battle than it does a traditional hip-hop offering.) Taylour Paige (Zola, Ma Rainey’s Black Bottom) assumes the role of Lamar’s star-crossed lover his trigger and his muse and today the hyperreal song has come to life further with the worldwide debut of a six-minute short film of the same name. The short film based on the album’s eighth track, in which a quarreling couple communicates both everything and nothing, was produced by Lamar’s creative collective pgLang and shot with live audio and no cuts in a single take a fitting approach for an album rendered in blues and Blackness, woven with elements of both trap and free jazz. “We Cry Together” (the song) was recorded in February 2020, and the accompany